PAUL ROMERO's
BUSINESS OF ACTING SEMINARS
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Types of work:
(Stage, TV, Film, alternative)
Types of actors and Actors types
Day jobs : The skills you need to survive,
how to pursue work to persevere
making the transition from college Unions: AEA SAG & AFTRA,
how to join, what it costs,and
should you join
Taxes : what to expect, what you can deduct,
and why you have to pay them
Agents & Managers : what they do,
how they differ, do you need them,
5 ways to get one and how to keep one
Casting: Casting Agents, who they are,
why they are your friends,
how they get you work,
how you meet them,
what they need from you
I have designed a seminar to teach college acting students what to expect in the professional world
Auditions: Types of auditions and
what they are for,
nature, size and situation,
open calls vs. submissions,
what will be expected from you
Finding work before you join the union and
working without union affiliation
Resources for finding each kind of audition
(Stage , TV, Film, alternative)
where to find them,
how to approach them
follow up on auditions
Audition Material: finding what is good for
you, and knowing it cold
type + strong material + confidence =
successful audition
I have designed a seminar to teach college acting students how to create a career in our very competitive business.
The tools you need to be a professional:
headshot
resume
website
postcards
Audition material
demo reel etc.
Personal promotion:
who what when and how to send
what to expect, how to use networking
Jobs: what they are and how they differ
rehearsal hall vs. the set and
how to prepare for each
what to watch out for, getting fired
Alternative careers in acting
that are not Theatre Film or TV,
and how to pursue them
Showcases and Acting for free
Geographic Specific Units:
Business of Acting: NYC
Bosiness of Acting: Boston
Business of Acting: Philadelphia
The seminar is a very inexpensive way to introduce this curriculum to your students
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